Landing pages

No two of these
look alike.

Every one is a real page you can scroll, not a picture of one. We filmed every place here ourselves in 360, and on some of them you can turn the tour without ever leaving the page.

Built by hand

No page builder, no heavy framework, no template anyone else is using. That is why they open quickly on a phone on a hotel wifi.

Your 360 tour, in the page

We already film properties in 360. On these pages the tour is part of the page itself, so people look around before they decide. Every picture here is a frame from one of our own 360 tours, never stock and never AI. There is exactly one exception and it says so on every screen: the off plan apartments are the developer's renders of a building that was not finished yet.

Readable by machines

Real text and real numbers in the page, described properly, so search engines and AI assistants can read and quote it instead of guessing.

The work

Open any one, it is live

The rooftop terrace and plunge pool at Rockside Villa in Santorini

Cinematic chapters

Rockside Villa

A villa cut into the rock in Santorini, told in five chapters. One idea per screen, photographs held still while the words change.

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Live 360 in the page The main stage at Untold at night, the whole field full of people

Day to night, driven by scroll

Untold 2025

The loud one. The page starts at noon in daylight and walks itself into the dark as you scroll, then drops you in the middle of the crowd in a 360 you can turn.

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Live 360 in the page The courtyard and pool of the Hollis Court apartment building

Walkable 360 and a plan that draws itself

Hollis Court

Our strongest one. Scrolling turns the camera inside the building, and if you keep scrolling you walk through to the next room. The floor plan draws itself as you pass it.

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Live 360 in the page The outdoor infinity pool at Hotel Bucura with the wooded hill behind it

Luxury agency, pinned crossfades

Hotel Bucura

A wellness hotel in the Olt valley. Photographs cross-fade under a fixed frame while the words change beside them, and a rail of rooms drags sideways underneath.

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Live 360 in the page Magura Jina hotel on a green ridge above the village at sunset

A terrace that builds itself, and a live 360

Hotel Magura Jina

A mountain hotel above Sibiu. The roof terrace is drawn as a line, becomes concrete, then fills with warm water. Further down you turn the sunset yourself.

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Live 360 in the page The long terrace at Marty Westside under ivy and sage green columns

Scroll down, walk sideways

Marty Westside

The only one that moves across instead of down. Scrolling walks you left to right through the restaurant, in the order you would actually walk it.

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Live 360 in the page A balcony high above a long beach with surf and towers along the shoreline

A drawing set, and it says so

Off plan apartments

The only page here whose pictures are renders, because the building was not up yet. Laid out as drawing sheets with a title block pinned in the corner saying that on every screen. For developers selling before completion.

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Live 360 in the page A family living room with a white fireplace, built in shelving and a corner sofa

Rooms that pile up behind you

A family house

Every room is a full screen that sticks, so the next one lands on top of the last and the pile stays behind you. Filmed lived in, toys on the floor, nothing tidied for the camera.

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Live 360 in the page The living area of a toy hauler RV with a corner sofa, fireplace and violet cove lighting

Two halves, opposite directions

RV tour

The awkward one, on purpose. The screen splits and the two sides scroll against each other, because in this vehicle the garage is also a bedroom and the ramp is also a patio.

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Live 360 in the page The open attic living space with a wall of glass onto the balcony and exposed rafters overhead

One line, threaded through everything

Casa de Vacanta

The quiet one. A single pitched line runs down the whole page behind the content and shifts as you scroll, because the apartment is one long attic under one roof.

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Live 360 in the page A black BMW M5 in full side profile on a dealer forecourt

Scroll turns the car

Car presentation

The showroom one. Five photographs taken from five positions around the same car, cut hard from one to the next so scrolling turns it, with a dial counting the angle.

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Live 360 in the page A turquoise pool with orange loungers surrounded by jungle at Bodhi Tree Yoga Resort

One thing per screen, and it breathes

Bodhi Tree Yoga Resort

The calm one. Each picture settles as it reaches the middle of the screen and lets go as it leaves, so scrolling feels slow on purpose.

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Live 360 in the page The dark timber Hunter's Lodge on a green slope above Dambovicioara

Photographs that open like shutters

Hunter's Lodge

A timber house above Dambovicioara. Each picture starts as a slit in a dark page and widens to full bleed as you reach it, and the whole page warms from valley blue to firelight on the way down.

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Live 360 in the page The ivy covered pink wall at Casa del Gelato with children playing in front

Warm, pastel, arches

Casa del Gelato

The soft one. Cream and coral, photographs sitting inside arches that echo the shop's own doorway, and nothing on it in a hurry.

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The painted facade of a Tex Mex restaurant against a blue sky

Bold colour block

Gringo's

The loud end of what we do. Hard colour, type as big as it can go, and no apology anywhere. Made for places with a bit of noise in them.

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The calm white reception of Swiss Clinics in Cluj

Aman quiet, full bleed

Swiss Clinics

The slowest page we have built. Full screen photographs that drift, tiny type, and almost no interface at all. Made for anyone selling calm.

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Live 360 in the page The long white room at Brassai Apartments under dark stained beams

Editorial minimal, hairlines

Brassai Apartments

The quietest one. Paper white, thin type, enormous margins, one room per screen, and thin rules that draw themselves across the page as you reach them.

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A rain shower under a round skylight in a bathroom carved from volcanic rock

Postcard that opens out

Rockside, a second way

The same villa as the first card, treated completely differently. It starts as a framed postcard with labels pinned to it, then the frame falls away and the photograph fills the screen.

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How we quote

Per property, because a guesthouse and a city hotel are not the same job.

  • We look at the place first, then quote. Size, how far we travel and how much there is to film all change it.
  • If we have already filmed you, the page costs less. The photographs are done.
  • You own the files and the photographs. Nothing you are forced to keep paying.
  • Hosting and small changes are available monthly, only if you would rather not think about it.
  • We quote before we start and the number does not move.
  • Half up front, half when it goes live.

How it goes

A few weeks, and you barely have to be there.

  1. We talk, half an hour

    You tell us what you run and what is wrong with the site you have now. Send whatever already exists, photographs, the menu, the words.

  2. We film, if filming is part of it

    How long we are there depends on where you are. Near us, a day or two. Further afield we come for four nights or more, and the stay is part of the arrangement, agreed with you before anything starts. Either way we work around your service, not through it, and we shoot rooms while they are empty. You do not close.

  3. You see it and say what is wrong

    You get a link, not a meeting. Tell us what you want changed, we change it, then it goes live on your domain.

What we need from you: about an hour in total across the whole thing. Somebody who can answer questions about the place, and permission to be in the rooms while they are empty.

What we do not need: your current agency out of the way, your bookings paused, or a single day closed.

Talk to us

Which one fits your place?

Tell us what you run and we will say which of these suits it, and honestly if none of them do. A real person reads this and answers within one working day.

We never pass your details to anyone.

Got it, thank you.

Your message is with us. We will come back to you within one working day, on the email you gave.